8/15/2023 0 Comments Franz schubert impromptus![]() ![]() ![]() The eight Impromptus, it can be said, are perfect examples of both. Schubert was a master both of the shortest forms, such as the “ Lieder” (and this was acknowledged by most of his contemporaries), and of the large-scale pieces, such as the Symphonies, Quartets, Piano Sonatas and chamber music (and this was only gradually recognized by critics, audiences and performers). ![]() His works required attention, patience and a disposition to introspection from both listeners and players, and many were simply not interested in a music which demanded such an engagement and promised the applause of connoisseurs only. His piano works were frequently difficult, but almost never showy the piano was for him more akin to a spiritual journal than to a battlehorse. While most composers of his time were (possibly first and foremost) piano virtuosos (more rarely they could have achieved fame as virtuoso players of other instruments), he did play most of his own works, but in the more intimate setting of a circle of friends, who could appreciate and love the particular beauty of his music. Indeed, Franz Schubert was certainly a pianist, but by no means a soloist. Just two of them were published during the composer’s short lifetime even their title and concept are disputed, and are still the object of musical and musicological controversy nearly two centuries after their composition few other pieces have been both loved and massacred by countless amateurs, and have represented a continuing challenge for the greatest piano soloists worldwide. Few pieces in the piano repertoire have had a fate similar to that of Franz Schubert’s “Impromptus” op. ![]()
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